There have been a few issues spinning around in my head recently, none of which are particularly and individually “blogworthy” in themselves, but all of which are probably worth the slightest of mentions if only to get them out of my head and help me to sleep better at nights.
For example, I find myself worrying about suspension bridges. Not because I find them to be intrinsically unsafe or less than wonderful from an engineering point of view, but because of the parallax. If you stand near to one of the suspension cables the eye will fool you into believing that the two cables on either side of the road surface being suspended are not in the slightest bit parallel, despite the fact that you know that, seen from a distance, and indeed because the bridge you are standing upon is not falling down, they must be.
That, of course, is not unusual, but I do find myself worrying about the people who are building these things. Just how on Earth did they manage to successfully construct these things if their eyes were telling them what their brains knew to be different. It beats me, but I can’t help but be impressed.
I’ve also been pondering upon James Cameron’s career. I once read an article that claimed, when you boiled it down to the fundamentals of things like a piece of advanced technology going wrong and suchlike, “The Terminator” and “Titanic” are basically exactly the same movie. I would go as far as to say that all of his movies are pretty much the same in terms of structure, too, but I’ve only ever seen two of them, “Titanic” and “Aliens” and there’s only one of them that I really like (and it’s not the one with the big ship sinking in it…).
This is all because, I suppose, that I recently read a headline about Cameron plunging to the depths (of the ocean) and I thought they were talking about our unbeloved Prime Minister , despite the fact that I read it on the same day as his strange movie about blue people cropped up on television. I’ve decided that, given the box office receipts it made, I must be one of the few people left who hasn’t actually seen “Avatar” but, to tell the truth, given the five minutes I saw that day, I don’t think I missed much.
Strangely enough it was on at the same time as that other much-watched movie that I’ve never seen, “E.T.”. That used to be my test question for people when I met them, and I would categorise them on whether they were one of the “seen” or “not seen”. I gave up on this after a while, and it might very well explain why I spent so much of the 1990s alone…
I suppose it’s just that vague sense I get that much of the audience for “Avatar” was made up from the kind of people who prefer to see impressive C.G.I. rather that impressive word-wrangling, which is also, I think, why “Titanic” was so popular at the time it was released. After all, as a dramatisation of historical events it is, rather sadly, lacking in any of the sense of respect that its predecessor, the rather wonderful “A Night to Remember” had*. That and the fact that “Rose” had to be a thoroughly modern 1990s heroine and not act in any way like you would have expected her to has always annoyed me. I clearly remember leaving the picture house I saw it in thoroughly impressed by the re-creation of the ship, and thoroughly depressed by the dialogue, not to mention all of the messing about with established known facts of the tragedy.
I do get rather deflated by this modern trend towards dramatising history on television with actors acting as if it was a Channel Five documentary, but I suppose it gets the story across and engages those who it is aimed at in a way that books no longer seem to do. But then again, modern telly tends to leave me feeling rather deflated at the best of times. I don’t watch any of the “soaps”, but I’m constantly amazed by the quality of the actors they seem to be able to persuade to appear in them nowadays (“It’s work, luvvy…”). Pretty much of those heroes of my youth from Freddie Jones to Patrick Mower, from Amanda Donohoe to Linda Thorson, from Nigel Havers to Sir Ian McKellan, from… ah, you get the point. I suppose that it reflects rather poorly on the lack of other good dramas to appear in, but I suppose if you are going to give people television where they know exactly what’s going to happen and that it’s going to continue to happen over and over again, you might as well let them watch some good actors doing it.
Other movie-related nonsense has also recently crossed my mind, like why did an actor with such an impressive track record as Kevin Costner had suddenly vanish from our screens? Granted both “Waterworld” and “The Postman” were not great successes, but neither of them should have convinced us that he was less of an actor than he is, and he did make some pretty decent films, even the ones without the late, lamented Whitney Houston in them. I have a friend who is convinced that “Avatar” is essentially a remake of “Dances with Wolves” which is probably why I was thinking about old Kevin and what became of him…
We now have another Hollywood financial disaster doing the rounds, “John Carter”. This massive black hole for Disney’s cash was based upon a series of novels written by Edgar Rice-Burroughs in the first half of the last century and set on the planet Mars. Given that his other literary creation, Tarzan, had always been popular, I’m sure that it seemed to be a sure-fire hit when they were planning and making it, but I don’t suppose that many people nowadays have even heard of the books so, perhaps not.
Mars was, of course, of huge interest to the authors and readers of what the British think of at least as the Edwardian era and for much of the early part of the 20th Century. Herbert George Wells envisioned us invaded from there, and that other Welles, Orson, made us believe that they had. Flash Gordon made a trip there and plenty of other fictional characters had there own run-ins with the Martians. Strangely enough, Mars itself has been shining very brightly in the night sky of late as the planetary alignment (of Doom!) approaches, so you can believe that, with all the discoveries made in observing the planets at the turn of the last century, and with it being such a visible object for pretty much anyone who noticed it, the fascination with our neighbour in space must have been very widespread, and a great inspiration for any writers of fiction who wanted to make a few quid, and you can’t really blame them for that now, can you?
I suppose you could say the same of James Cameron, when you think about it, which probably doesn’t help me deal any better with my general dislike of his films, but, I will grudgingly accept that he’s probably made a lot more people happy than I ever have.
*Any mention of that most famous of shipwrecks today must, in some small way be used to mark the centenary of that very real, very tragic “night to remember” which occurred upon this very morning, one hundred years ago, but enough people have been talking about it at such great length recently that adding my own perspective to the mix would seem to be rather superfluous, although the posting for this date - or thereabouts - one year ago should get the point across (http://m-a-w-h.blogspot.co.uk/2011/04/titanic-tales.html).
Yes I'm sick of everything Titanic too. I have seen E.T., though several times.
ReplyDeleteHmm... Perhaps I just have "issues" with the name "Cameron"...?
DeleteI'm still rather fascinated by the story of R.M.S. "Titanic" - I happen to think that it encapsulates in one moment in time both the very best and the very worst that humanity has to offer - although I would be the first to admit that, for the centenary, the media have gone rather - if you'll pardon the expression - "overboard"...
I think Titanic could be an okay film if the Leo/Kate romance was completely edited out?
ReplyDeleteDespite protests, I watched "A Night to Remember" yesterday afternoon which still strikes me as a better way to tell that story...
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