Tuesday 24 July 2018

FIGHTING TIGERS DEVELOPMENT MEETING (A SCRIPT)



FIGHTING TIGERS DEVELOPMENT MEETING #14

THOSE PRESENT

THE POWERS THAT BE
THE PRODUCTION TEAM
MR GRAHAM (A LA-DE-DAH PIANIST)

THE POWERS THAT BE:
Welcome everyone to this, our latest development meeting for our "Fighting Tigers" project. We’ve had a look at the latest scripts and we have a few concerns.

THE PRODUCTION TEAM:
Oh yes…?

THE POWERS THAT BE:
I’m afraid so. We’ve had a read-through and there’s really not that much much diversity amongst this band of fighting men fighting the war on the home front during the Second World War.

Not many foreigners ---

THE PRODUCTION TEAM:
We've got a Scotsman ---

THE POWERS THAT BE:
Not many people with disabilities ---

THE PRODUCTION TEAM:
Some of the gentlemen are quite deaf ---

THE POWERS THAT BE:
Well ---

THE PRODUCTION TEAM:
And short sighted ---

THE POWERS THAT BE:
Not many women ---

THE PRODUCTION TEAM:
There’s Mrs Pike ---

THE POWERS THAT BE:
There is, as you say, Mrs Pike ---

THE PRODUCTION TEAM:
And we’re ticking a lot of boxes in presenting positive images of the over fifties ---

THE POWERS THAT BE:
Be that as it may, we may have to come back to this later in the meanwhile, we have some other issues ---

THE PRODUCTION TEAM:
Oh yes…?

THE POWERS THAT BE:
It's the song ---

THE PRODUCTION TEAM:
The song…?

THE POWERS THAT BE:
Yes --- We don't like these references to Hitler

THE PRODUCTION TEAM:
Hitler…?

THE POWERS THAT BE:
Yes --- People don’t like Hitler. He’s too ---

THE PRODUCTION TEAM:
Real…?

THE POWERS THAT BE:
He’s too ---

THE PRODUCTION TEAM:
Evil…?

THE POWERS THAT BE:
Yes --- Can’t we just say he’s a really bad man…?
We don’t want to upset the Germans. They don’t like being reminded of the bounder. While we're at it we're not too fond of seeing all those swastikas in the title sequence either ---

THE PRODUCTION TEAM:
Ah ---

THE POWERS THAT BE:
And then there’s all those references to “the boys” ---

THE PRODUCTION TEAM:
The boys…?

THE POWERS THAT BE:
Yes --- "the boys" well it's not very inclusive is it?

THE PRODUCTION TEAM:
I suppose…

THE POWERS THAT BE:
We're not all that keen on any references to boys frankly…

THE PRODUCTION TEAM:
The chaps…?

THE POWERS THAT BE:
Same problem!

THE PRODUCTION TEAM:
The folk…?

THE POWERS THAT BE:
Too folksy --- We think “The People” would be more appropriate --- and then there all all these references to “England” when it really ought to represent the whole of this United Kingdom ---

THE PRODUCTION TEAM:
We use the union flag on the titles ---

THE POWERS THAT BE:
Well, we’ve talked about those titles already --- Anyway, what’s wrong with  using the word Britain?

THE PRODUCTION TEAM:
Well ---

THE POWERS THAT BE:
Moving on, one of our main objections are to this Mister Brown fellow --- does he have to be so gender specific? And do we really have to use the name Brown…?

THE PRODUCTION TEAM:
It kind of rhymes with town ---

THE POWERS THAT BE:
There you are, you see? That completely disregards any countryside folk who might be watching --- and you’ve got him heading off to work at eight twenty-one! --- What kind of a slacker is he? --- Then the song refers to an International tragedy as a little game! That won’t do at all! And there are all these references to guns --- we really don’t like those at all!

THE PRODUCTION TEAM:
There was a war on ---

THE POWERS THAT BE:
Now don't panic, don't panic, we have done a rewrite --- Mister Graham, if you please ---

MR GRAHAM:
Who do you think you are kidding Mister Bad Man
If you think we’re on the run
(but not in an escaped from prison kind of a way)
We are the people who will stop your international tragedy
We are the people who will make you rethink your strategy
So who do you think you are kidding, Mister Bad Man
If you think Great Britain’s done…?

The entire Smith family go off to work at various times of day
But then get home safely at night hip-hip-hip hooray!

So who do you think you are kidding, Mister Bad Man
If you think Great Britain’s done…?

THE PRODUCTION TEAM:
Stupid boy!

Monday 23 July 2018

A WEEKEND IN THE ARCHIVES

Some people like to suggest that British television is going through something of a "Golden Age" at the moment, but, sadly, I often find myself forced to disagree. These days I find that there's seldom on offer that I would personally wish to watch, and more often than not, find myself reaching for the DVD archives whenever I fancy a spot of telly viewing.

So it was this weekend. On Friday evening, we returned home from another stressful working week and, over the usual bunged together "can't really be bothered" Friday evening meal, accompanied by the much-needed cracking open of a bottle of wine, we found ourselves in the usual position of wondering quite what to watch.

Happily, there was the final episode of "Brooklyn Nine-Nine" lurking on the DVR to accompany our munchies whilst we made our minds up, and that was followed by the latest "NCIS" lurking on the "Demand 5" area of the Blu-Ray online thingy. After that, my Beloved watched "Bull" from the same place as I pottered about with my mind full of other things.

Saturday dawned a little soggily, and, not least because I'm feeling a tad sombre at the moment, I decided not to go out on a morning walk, but instead to continue my recent epic trawl through  all eighty-six episodes of "Danger Man" by watching the last of the black and white episodes "Not So Jolly Roger" before making the morning household cup of tea.

This was a rather enjoyable episode as it featured a lot of location filming on the Red Sands Sea Forts which were also used as a location for the missing "Doctor Who" story "Fury From The Deep" and, despite it being set in one of those "not quite the real world" media locations - in this instance a fictional pirate radio station rather than the unreal film or TV sets of the average "Columbo" instalment, they actually pulled that off rather well with some at least vaguely "poptastic" tunes being played.

The script did seem to suffer from the same suspicions of something new and interesting that shows like "Callan" had of "intellectuals" at "universities" in the mid-sixties, but, all-in-all, it was pretty well done.

After breakfast, "Danger Man" suddenly burst into full colour for the final two episodes, "Koroshi" and "Shinda Shima", made before Patrick McGoohan's sudden resignation to go off and make "The Prisoner" both of which had a Tokyo setting (presumably due to the then-current popularity of "You Only Live Twice" in cinemas) and they were perfectly passable, once you got used to the colour. At least they did score reasonably well - though not perfectly - on the using ACTUAL Asian actors to play Asian characters front, and when Burt Kwouk and Christopher Benjamin show up, you know that you're in safe hands. Later on, these two episodes would serve as filler episodes in the schedules when production on "The Prisoner" fell behind and, in the grand tradition of other two-part episodes of 1960s spy series, they'd even be spliced together for a movie release.

After this epic journey that has featured in so many of my recent early mornings was over, I was at rather a loss, so I decided to snap open one of the shows I still had in its cellophane wrapper, and watched the first available episode - episode two - of "Public Eye" - "Nobody wants to kill Santa Claus" which is neither a Christmas episode, nor does it feature Alfred Marks playing Frank Marker all that much, but does have a telling use of the word "Bastard" to ensure it's later time slot.

After that I decided to crack open another box set and give the Don Henderson vehicle "Strangers" a go. I'd been meaning to rewatch "Strangers" for years, but for several reasons I kept putting off buying it, despite Bulman being one of the great TV characters to emerge from 1970s crime drama. Somehow, watching the first mini-series of "The XYY Man" had rather put me off the series slightly, perhaps because I struggled to get beyond the 1970s casual racism and sexism on display, but an early appearance of Malcolm Tierney reassured me, as well as several other "future" coppers playing assorted villains.

Anyway, I shouldn't have worried. "Strangers" is far more quirky than the series that spawned it, although twenty minutes into the episode, interestingly set in "The Paradise Club" Henderson fans, I was joined downstairs for lunch, so we hit "pause" whilst my Beloved watched her latest Demand 5 discovery "Agent Carter" which is slickly done, has a well realised post-war setting, and somehow falls into several of the traps that modern adventure series tend to; All of the plots, sub-plots, and "Who can you trust?" that, in the end, tends to over-complicate everything into one great big knotty ball of shouting, explosions, and over-the-top action sequences that make any drama resemble the literary structure of a video game.

I got an hour to myself later on in the day, and returned to a third box set, the Complete "Dad's Army" of which I'd only watched episode one, and watched two more from the first series. Despite being in black and white that first series of "Dad's Army" already seems confident and fully formed by the end of its six episode run, which I concluded in the wee small hours of Monday morning. Because the word seemed more acceptable in ordinary language back then, we even get two "bastards" in the comedy dialogue, and it is interesting (and rather disturbing to this fifty-four-year old) to note that Fraser and Godfrey give their ages as 58 and 59. Also, Jimmy Perry himself makes an appearance as Charlie Cheeseman (a name to note) in the last of the series, alongside Barbara Windsor, as a pair of vaudeville acts.

Late afternoon was spent finishing off the last three episodes of the second and final series of Granada TV's "Lady Killers" which has proved to be a surprisingly entertaining series, despite the grim nature of the subject matter. So many great actors from the early 1980s turn up that there really are too many to list, but the great dramatic scenes they play  still make for some pretty astonishing - if occasionally harrowing - viewing. Elaine Paige gives a chillingly unrepentant performance as Kate Webster in series one, whereas John Fraser is surprisingly sympathetic and pathetic as Crippen in series two.

It's perhaps strange that series two has recurring regulars in the courtroom, but as several were based  at least in part upon notes made by the pathologist Sir Bernard Spilsbury, perhaps it is understandable. Certainly, by taking the viewer inside the condemned cell to discover the minds behind the murderers, we are exposed to some of the more chilling and unpleasant realities of Judicial Murder, and maybe such a series might be useful today in convincing those so quick to judge, the "hang 'em and flog 'em" brigade that such killings done in our name might not be quite as good an idea as some might suggest.

The evening was spent with a film I'd recorded in February which sounded interesting but was ultimately all rather odd. This was "Footsteps in the Fog" which was a 1950s Edwardian Noir starring Stewart Granger and Jean Simmons and which, to my surprise, also featured one William Hartnell in one of his rare appearances in full gaudy colour. To be honest, I think I'd set the machine because I thought it was a completely different film, but it passed the time, even though I began to believe it was a project Hitchcock had passed on, and noticed several places which might have benefitted very much from a Hitchcockian flourish or two.

Sunday morning brought with it the rest of that "Strangers" episode, "The Paradise Set", which took a very unexpected surreal and literary turn in its tale of dirty dealings, failed jewel robberies, and private drinking clubs run by down-at-heel northern comedians. It was a bit unreconstructed in its attitudes at times, but the bizarre reconstruction of the film "Bonnie and Clyde" played out in an upstairs room by a cast including the future Inspector Japp from "Poirot" Philip Jackson more than made up for it.

After that, I sampled a little more black and white "Dad's Army" and, after being out for the day, the evening was rounded off with "The Persistent Assassin" from the first run of "Sergeant Cork" which included another future copper, Garfield Morgan, playing a doomed young Prince.

Martin A W Holmes, July 2018

Friday 20 July 2018

PERVIN' OVER PERI (A SONG)

PERVIN' OVER PERI (A SONG)

Rescued from the waves by an overgrown schoolboy
Wearing little more than his underwear
Pneumatic Peri gets to board a time ship
All her problems really start right there

Plainly potty people pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


Her stepdad's been taken over by the Master
Although he's really a disguised robot
Meanwhile young Peri's wearing a bikini
Rescued by a bloke showing all he's got

Plenty of people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


A sprightly young American missy
With a tendency to whinge and whine
Wearing short shorts and low-cut blouses
Why do people keep staring all the time

Power-crazed people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


She's smart though (everyone should know it)
Telling one and all she's a botanist
They sagely nod and keep on drooling
Wondering if they can get her pissed

Pathetic people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown

She goes for a flight with a youngish geezer
But gets lusted over by a psycho in a mask
Who builds robots of her in a spare moment
What he does with 'em we don't like to ask

Plainly potty people pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown

Despite all this she's feeling very poorly
She's been poisoned by a monster's nest
And whilst Peri's clearly nearly dying
Too many folk are looking at her chest

Plenty of people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


The Doctor came over all peculiar
All noble of brow and clear of gaze
He tried to throttle the life from her
Which made a nice change (in many ways)

Power-crazed people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


Quillam was another masked man
Made bitter by his deformity
He spots her in his Punishment Dome
Thinks "Peri - now that's the girl for me!"

Pathetic people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


Now when Shockeye spots a tasty morsel
He wants to tenderise her thighs
Although Jamie is more of a breast man
Sees her outfit and can't believe his eyes

Plainly potty people pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown

The Karfel Borad's only half a human
Got himself mixed up with a dinosaur
Decides he'd like to breed with Peri
Does she have to lay an egg (we're not sure)

Plenty of people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


When Jobel started perving over Peri
Despite his wig he got all in a twist
Her rival spiked him with a syringeful
But it's not Viagra that makes him a stiff

Power-crazed people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


You start to think Eric has got some issues
Maybe doing a bit of pervin' on his own
Thrashing out ideas on his typewriter
Wondering how he might get her alone

Pathetic people are pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown

Some not inconsiderable time later
She formed an alliance with Yrcanos
When young shavers took her brains out
This made that Warlord really cross

Platoons of potty people pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown


A sorry ending to her universal travels
Then again (if you think the Matrix lied)
Maybe she hitched her wagon to a Warlord
Somehow it seems she never really died

Plainly potty people pervin' over Peri
Monsters manifestly messin' with Miss Brown
A whole universe of lusting lotharios
No wonder Peri always needs to frown



Martin A W Holmes, July 2018







Friday 13 July 2018

MORNING RAIN

MORNING RAIN

Like an old friend
Heavy rain returns
Streets run fizzing
Foaming white
With rinsed pollen

Brown baked fields
Mouth wide to the sky
Drinking deep
Try to remember
Their lost greens

MAWH, 130718

Monday 9 July 2018

HATING CROWDS


HATING CROWDS

I remembered why
I don’t like crowds
Recalling that terrible
Intimidating day
Waiting in a shoe shop
On Market Street
Only there to find
Shoes for a wedding

I remembered why
That shouting wall of people
Red and white warpaint
All fearful flag bedecked
With that big bass drum
Intimidating everyone
Off to a triangle of a game
Played out on a big screen

I remembered why
It disturbs me so
When people think as one
Daring you to disagree with
The single mind of the mob
Like when people shout
Back the lyrics at concerts
Minds moving beyond thought

I remembered why
People all together
Thinking as one mind
Really disturbs me
One goose-step from the mob
Terrifying the outsider
Their undeserved victories
Spur them on ingloriously

I remembered why
I haven’t wanted
To be in a crowd since
That awful afternoon
So I find myself
Hoping they’ll lose
Because otherwise
They’ll be insufferable


MAWH, July 2018