I attended my third “NT Live” event last Thursday (Jan 17
2013), which was “The Magistrate” by Arthur
Wing Pinero, and starred, amongst others, the well-known American actor John
Lithgow.
Whilst I know that I’ve mentioned it before, for those of
you who don’t know, these are events where a play is performed live in London
in front of cameras which broadcast the entire show live or, in the case of
places in different time zones, “as live” to various cinemas around the world
so that many more of us can get the opportunity to see some of the rather
incredible stage shows which get performed in the West End that we wouldn’t
otherwise get the chance to.
Anyway, it really wasn’t a play I was all that familiar
with, to be honest, but it turned out that it was a rather wonderful, witty and
entertaining night out and I wouldn’t have missed it for the world, despite all
of the other stuff that we’re struggling to find time to deal with at the
moment.
We even managed to find the time to sit down for a meal at a
nearby Tapas place beforehand, which, given my recent struggles to find the time
to actually eat, was something of a miracle.
To be honest, this was the first time that we’d attended one
of these events at a different venue to the one we usually book for, mostly
because this time the tickets were booked for us, and the venue we went to was
nearer to the home of the person doing the booking, and the seating was deemed
to be far more comfortable that the place we usually went to.
However, because it was a multiplex rather than an “Art
House” cinema, they did seem to have less understanding of what the needs of a
theatrical audience might be. After all, the whole notion of the “as live”
experience is that the venue basically becomes a theatre for the night which
ought to mean that late comers aren’t allowed in, and I will admit that the
amount of chatter going on behind me did rather spoil the first five minutes
for me as I couldn’t hear what the actors were saying because of some general mutterings
about car parking, traffic and whatnot, which together with the little old lady
who kept waving to her friend to let him know where she was sitting (right
in front of me), and the woman who arrived
and stood in front of me for a full minute as she removed her coat, it was all
rather distracting.
During the interval some of the “old regulars” pulled out
thermos flasks full of coffee rather than pay cinema prices for their massive
cola drinks (which is not quite the same as slipping to the bar for a swift
G‘n’T I’ll grant you), all this in a cinema that
once hit the local headlines for refusing to let people bring in their own
sweeties bought in the Tesco over the road.
Luckily, the show was brilliant enough to get beyond such
distractions, with some wonderful lyrics written for the songs which covered
the scene changes, some fabulous performances from the entire cast, although
John Lithgow’s “silent comedy” routines with a bat and a leaning doorway – and
his rather excellent accent - did rather steal the show.
It was beautifully designed too, with stunning costumes and
the most ingenious sets based upon the idea of a Victorian pop-up book, all of
which made the lapsed stage designer in me very envious indeed.
Anyway, I’m sure all of this means nothing to those of you
who missed it, and the whole “NT Live” rights situation probably means that DVD
releases remain unlikely unless enough people persuade them that there might
just be a market for such things. If your appetite has been whetted, your best
bet is probably keep hassling the website for a repeat showing (which they
do occasionally do…) or hope against all
hope that BBC4 (which feels like the natural home for such things) lasts long enough for them to consider showing a
season of these plays in a couple of years or so.
I'm envious.
ReplyDelete